On the internets, print, screens and stages leaving timely, tongue-in-cheek records of the times in which we find ourselves in.

Moreblessing’s written work across literature, stage and screen has included engagements with Australian Plays Transform (then PWA), Australian Theatre for Young People, and Sydney Theatre Company’s Inaugural Emerging Writers Group (‘17-19) and has received mentorship from Tarell Alvin McCraney (Moonlight, Choir Boy).

For theatre, ‘NO PINK DICKS’ has been recognised by the London’s largest new play award, The Bruntwood International Prize (SHORTLIST 2022), Shane & Cathryn Brennan Prize for Playwriting (FINALIST 2022) and Australian Theatre Festival NYC New Play Award (FINALIST 2022). It’s a comedic anthology exploring the space between the personal and political in interracial relationships between Black women and white men. Her immersive audio/live performance work ‘MILK & HONEY & LEMONS’ has had two premiere seasons covid-cancelled…and a third premiere flooded out — thoughts and prayers welcome 🙂🫠.

For all this and no-doubt her winning charisma, Moreblessing won Best Artist in the 2020 FBi Smac Awards and spent the summer reading as a judge for the 2020 NSW Premier’s Literary Awards.

For Screen, Moreblessing’s currently developing a slate of works independently and through Afro Sistahs Collective a Black led and owned production company she co-runs. Projects include: 'AFRO SISTAHS' A dramedy digital series that follows the life of four Afro Australian women in Western Sydney as they navigate everything from friendship, nosey Aunties and woke baes and their hair; the anthology ‘MASC (Revlover, Easy Tiger)- a anthology feature exploring modern masculinity from 8 female and non binary creators- both funded by Screen Australia. When not working on her own projects, she writes and contributes in rooms for children & teen television and adult comedy and drama. She also participated in Screen Australia’s 2019 Developing the Developer program culminating in a 3-month placement with Kojo Studios as an Associate Development Producer. Over the years she’s been in rooms with Easy Tiger, Northern Pictures, ABC and more.

In 2019, Moreblessing was an inaugural participant of Carnival of the Bolds’ Citizen Writes program and has had her work published in Eureka Street, Lita Magazine, The Quo, BI35Mag and others.

Her practice is in a state of perpetual development and she’s invested in paying forward her knowledge and skills through a range mentorship relationships

“There’s a lot I don’t know, but I’ve learnt some things along the way.”